

Marion Ayers
Sound Design
& Engineering
Designs

Director // Quin Gresham
Music Director // Larry Pry
Scene Design // Jordan LaManga
Lighting Design // Aria Grosvenor
Costume Design // Kathleen Embrey
Wig & Makeup Design // Will Vicari
Sound Design // Marion Ayers
The Glorious Ones
at The Conservatory of Theatre Arts at Webster University
Photo by Eric Woolsey
Concept // From the beginning Quin and I agreed that given the commedia dell'arte nature of the show the majority of the effects needed to come from the performers. I worked very closely with props to find the instruments that created our 'vision' for how the show needed to sound.

Photo by Eric Woolsey
The Miser
at The Conservatory of Theatre Arts at Webster University
Director // Rick Dildine
Scene Design // Jeff Behm
Lighting Design // Naftali Wayne
Costume Design // Will Vicari
Wig & Makeup Design
// Lauren Rismiller
Sound Design // Marion Ayers
Concept // Rick brought a really exciting idea to the table to do a baroque/1980s fusion based on the song Material Girl by Madonna. This was an exploration in both instruments from the early 19th century as well as synth sounds from the mid 1980s.
Photo by Eric Woolsey

The Last Five Years
at The Conservatory of Theatre Arts at Webster University
Director // Jacob Brady Farmer
Music Director // Neal Richardson
Scene Design // Ana Maria Aburto
Lighting Design // Caleb Taylor
Costume Design // Kathleen Embrey
Sound Design // Marion Ayers
Concept // As with all musicals, the orchestra is in essence its own character. with such a small cast such as this, finding the balance with the actors and the music is what was of the utmost importance to my director.